I'm a London-based critic, author, and host whose love affair with film began after seeing The Lion King in the cinema as a kid. I trained as a journalist because I wanted to talk about the world. Since then I’ve been covering film and culture for the likes of Empire Magazine, Time Out, and IGN. I co-host MTV Movies and the weekly film reviews podcast Fade to Black; co-founder of The First Film Club event series and podcast, and am a member of London's Critics' Circle. I'm a voice for gender equality, diversity, and inclusion in the entertainment industry and an advocate for MENA representation as a writer of Tunisian heritage.
I speak from the heart in Strong Female Character, a personal and incisive reflection on how cinema has been the key to understanding myself and the world we live in. Interweaving anecdotes from familial and personal experiences, I offer a critical eye on the screen's representation of women and ethnic minorities, their impact on my life, body image, and ambitions, with warmth and humour.
Divided into the sections Origin Story, Coming of Age, Adult Material, Workplace Drama, and Strong Female Character, the book will appeal to readers of all backgrounds and seeks to help us better see ourselves in our own eyes rather than letting others decide who and what we can be.
Carrie Fisher is a phenomenal writer whose Hollywood upbringing and career makes her insightful voice when it comes to the experience of women in film.
Turning the diaries she kept while shooting Star Wars – playing the iconic Strong Female Character, Princess Leila – into a memoir offers and eye-opening perspective about life as an actress working in a male-dominated world.
It’s full of humour, self-deprecation, and real vulnerability, as well as juicy tidbits about the production.
When Carrie Fisher discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved - plaintive love poems, unbridled musings with youthful naivete, and a vulnerability that she barely recognized. Now her fame as an author, actress, and pop-culture icon is indisputable, but in 1977, Carrie Fisher was just a teenager with an all-consuming crush on her co-star, Harrison Ford. With these excerpts from her handwritten notebooks, The Princess Diarist is Fisher's intimate and revealing recollection of what happened on one of the most famous film sets of…
Helen is a fantastic film journalist and professional peer who has put her sharp writing to excellent use with this short history of female contributions to cinema as well as their erasure.
From the original pioneers to the experience of female film critics today, this is an accessible and educational gateway into the marginalised struggle for women to be taken seriously as filmmakers and creatives on the silver screen.
'A fascinating polemic' Sunday Times 'A powerful, sobering and vital work' The Mail on Sunday 'A page-turning read, peppered with humour' Sight & Sound 'A must read' Edgar Wright
A call to arms from Empire magazine's 'geek queen', Helen O'Hara, that explores women's roles - both in front of and behind the camera - since the birth of Hollywood, how those roles are reflected within wider society and what we can do to level the playing field.
Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place…
We, female film critics, are still underrepresented in the critical world but Pauline Kael found success and respect at a time when our numbers were even fewer.
This collection showcases her talent for writing and her keen eye for what makes a movie or a performance great or terrible.
From Bonnie and Clyde to Last Tango in Paris, Kael’s compelling cinematic observations make you want to rewatch these films while also highlighting how even the best of critics can fall foul to unconscious biases (just check out her Othello review!).
We can learn much further we’ve come when it comes to checking those blinkered perspectives.
A master film critic is at her witty, exhilarating, and opinionated best in this career-spanning collection featuring pieces on Bonnie and Clyde, The Godfather, and other modern movie classics
“Film criticism is exciting just because there is no formula to apply,” Pauline Kael once observed, “just because you must use everything you are and everything you know.” Between 1968 and 1991, as regular film reviewer for The New Yorker, Kael used those formidable tools to shape the tastes of a generation. She had a gift for capturing, with force and fluency, the essence of an actor’s gesture or the full…
One of the most influential thinkers and writers on feminist film theory, Mulvey’s groundbreaking essay “Visual Pleasure and Narrative Cinema” is one of many that tackle the representation of women in art and culture and how these mediums might impede or aid the women’s movement.
Mulvey was a great resource for my own book in analysing the overt sexualisation of female characters on screen to cater to the so-called Male Gaze and misogynistic pleasures.
A new edition of Laura Mulvey's groundbreaking collection of essays, originally published in 1989. In an extensive introduction to this second edition, Mulvey looks back at the historical and personal contexts for her famous article Visual Pleasure and Narrative Cinema , and reassesses her theories in the light of new technologies.
A massive influence on my own cultural approach to understanding cinema and intersectional representation, hooks offers acute analyses of the way films can affect us on a personal, political, and communal level, for better and for worse.
Hooks is smart, sharp, and switched on to how misogyny and racism can adversely affect the treatment of female characters of colour, especially.
Movies matter - that is the message of Reel to Real, bell hooks' classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks - one of America's most celebrated and thrilling cultural critics - talks back to films that have moved and provoked her, from Quentin Tarantino's Pulp Fiction to the work of Spike Lee. Including also her conversations with master filmmakers such as Charles Burnett and Julie Dash, Reel…
I’m an Australian USA Today bestselling romance author who writes contemporary romance and uses the pen name Alyssa James to write medieval romance. I think the makeover trope resonates with me because although I’m no beauty queen now, I was definitely an ugly duckling in my teens. For reasons best known to him, my father insisted on close-cropped hair, and financial circumstances dictated out-of-style hand-me-down clothing. After university, I found my own style, but it wasn’t until I was accepted as an international flight attendant that I believed that I couldn’t be all that ugly if Qantas employed me!
Return to Hope Creek is a second-chance rural romance set in Australia.
Stella Simpson's career and engagement are over. She returns to the rural community of Hope Creek to heal, unaware her high school and college sweetheart, Mitchell Scott, has also moved back to town to do some healing of his own.
Mitchell, a former NFL quarterback, doesn't need the complication of encountering Stella again so long after the messy end to their relationship, but as each tries to build a new life, they are drawn together and find their chemistry is just as strong as ever.
Will their love be stronger the second time around?
When two old flames come back to their home town, sparks are bound to ignite. A rural romance from USA Today bestselling author Alyssa J. Montgomery.
A horrific car accident ended former world number-one Stella Simpson’s tennis career, and a betrayal ended her relationship with her fiancé/coach. When a family friend offers to sell her half of a property in the rural community where she grew up, it seems like the perfect place to escape, heal and begin the next phase of her life. Until she discovers that the man who broke her heart ten years ago has bought the…
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